Saturday, November 8, 2008

Washington Post: Mexican Odyssey review

The Washington Post wrote about the Post-Classical Ensemble:
...The real attractions of the program [were] more contemporary works for chamber ensemble. Mario Lavista's "Three Secular Dances" explored otherworldly sounds of the cello, performed ably by Evelyn Elsing with the sotto voce but frenetic shadowing of pianist Naoko Takao. Ana Lara's "Serenata" was a noise collision for 10 instruments.
Click on The Washington Post logo to read the full article (Saturday, November 8, 2008):

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