Renaissance Research: P-CE Complements

Baltimore Sun: The City Shines Again on DVD

The Baltimore Sun reviewed "The City, calling it "a fresh look."

The Sun noted:

This Great Depression-era product has now re-emerged on DVD by Naxos, with Post-Classical's freshly recorded soundtrack, just as the country is in the grip of the Great Recession and the air is full of talk about government projects, large-scale and green. Seems like great timing...

That score, here conducted by the ensemble's music director, Angel Gil-Ordonez, with his usual care and expressiveness, comes through as vibrantly as the camerawork. This is particularly true in the brilliant urban scenes. It sounds as if Copland had more fun composing music for those city shots; that's where the music really jumps out at you.

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YouTube.com: Joe Horowitz Discusses The City

La Republica Cultural: The City

Toronto Star: The City

Naxos Names Angel Gil-Ordonez Artist of the Week

Classical music leader Naxos published a close-up feature on the Post-Classical Ensemble's musical director, Angel Gil-Ordonez on its website to help celebrate its DVD re-issue of the 1939 classic film The City, with music by Aaron Copland.

Washington Post: Mexican Odyssey review

The Washington Post wrote about the Post-Classical Ensemble:

...The real attractions of the program [were] more contemporary works for chamber ensemble. Mario Lavista's "Three Secular Dances" explored otherworldly sounds of the cello, performed ably by Evelyn Elsing with the sotto voce but frenetic shadowing of pianist Naoko Takao. Ana Lara's "Serenata" was a noise collision for 10 instruments.

Click on The Washington Post logo to read the full article (Saturday, November 8, 2008):

VOA Reviews PCE's 'Memorable' Mexican Odyssey

Post-Classical's Scary Children's Concert: Carnival of Creatures

The Washington Post reports that the Post-Classical Ensemble will help the Strathmore with a performance called "Carnival of Creatures: A Scary Family Concert."

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P-CE helps Strathmore Celebrate with Carnival of Creatures

The Baltimore Sun reported that the Post-Classical Ensemble will help the Strathmore celebrate its silver anniversary with a performance called "Carnival of the Creatures" on October 26, 2008.

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Carnival of the Creatures announced

The Baltimore Sun's Critical Mass blog announced the Post-Classical Ensemble's performance, "Carnival of the Creatures" at the Strathmore on October 26, 2008.

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Financial Times: Post-Classical Ensemble Has "Verve"

The Financial Times reported "The performance under the conductor Angel Gil-Ordóñez had verve" when reviewing the P-CE's performance "Artists in Exile" at the Clarice Smith Performing Arts Center, Maryland.

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YouTube.com: Post-Classical Ensemble's The Plow That Broke the Plain

Washington Post: "Such Ardor"

The Washington Post reviewed "Free to Sing: The Story of the First African-American Opera Company."

The Post had this to say about the Post-Classical Ensemble:

It was also utterly charming, so lovingly cast and accompanied with such ardor by Angel Gil-Ordonez and the Post-Classical Ensemble that it would have taken a curmudgeon to resist its appeal.

Click on The Washington Post logo to read the full article (Monday, February 18, 2008; Page C01):

Baltimore Sun: Free to Sing "Thoroughly Persuasive, Classy"

The Baltimore Sun reviewed "Free to Sing: The Story of the First African-American Opera Company," saying, "It was a thoroughly persuasive, classy performance that paid fitting tribute to the forgotten Eichberg and the little-known ensemble of black singers that made its bold mark with his music more than a century ago."

The Sun had this to say about the Post-Classical Ensemble:

The orchestra of the Post-Classical Ensemble played with an admirable sheen. Conductor Angel Gil-Ordonez brought to the score delightful rhythmic flexibility and lyrical nuance.

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Washington Times: "Lively... Almost Mischievous"

The Washington Times reviewed "Free to Sing: The Story of the First African-American Opera Company," which featured the first performance of the operetta "The Doctor of Alcantara" in 100 years.

The Times said:

There was fine comic interplay and often superb singing ... But much of the evening's pleasure came from the Post-Classical Ensemble and its expressively kinetic conductor, Angel Gil-Ordonez, who turned in lively, detailed and almost mischievous playing, making this work seem as fresh as it must have more than a century ago — back in the first heady years of freedom.

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Free to Sing at Strathmore

The Carroll County Times reports on the upcoming performance "Free to Sing" at the Strathmore in Bethesda, MD, for which the Post-Classical Ensemble will be performing the score.

"It's one of the most interesting stories reflecting both Washington, D.C.'s and America's cultural heritage," the newspaper says. "It's also one of the most rarely told."

"Free to Sing" is the inspiring story of the Colored American Opera Company, the first black opera troupe in the United States. It includes a performance of Julius Eichberg's American operetta "The Doctor of Alcantara," as well as a recently discovered John Philip Sousa work.

Read more by clicking on the icon, below:

Washington Post: Best Bets - Free to Sing

The Washington Post has listed "Free to Sing" on its Best Bets list -- see article.

Washington Examiner: Free to Sing

The Washington Examiner reports on "Free to Sing" at the Strathmore - read article.

Washington Post: Save the Date - Free to Sing

The Washington Post has listed "Free to Sing" on its "Save the Date" list -- read the article.

Smithsonian Looks at Free to Sing

The Smithsonian's magazine looks at the upcoming production "Free to Sing" -- read article.